11
element / 9 group design
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Canon
24mm f3.5 TS-E Adapts with Av metering and infinity focus to Nikon, Olympus |
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Movements |
8° tilt plus 11mm shift | ||
Image
Circle |
58.6mm | ||
35mm
equivalent field of view |
16mm* (full frame sensor) | ||
| 22mm (1.6x sensor) | |||
Stitched
file sizes |
Canon |
8200x3000
pixels (landscape) 22MP |
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Canon 1Ds2: |
10,400x4000
pixels (landscape) 28MP 8000x5000 pixels (portrait) 32MP |
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Canon 20D: |
8200x2500
pixels (landscape) 20MP 6000x3000 pixels (portrait) 22MP |
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Nikon D50: |
7000x2000
pixels (landscape) 18MP 4000x3000 pixels (portrait) 19MP |
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| Photodo rating: 3.3 | |||
Tests,
opinions and further reading |
Luminous Landscape |
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StitchPix
verdict |
Not the best 24mm, but the only one that tilts. Expect nasty parallax correction in any shift lens this wide when stitching. Superbly made L-class lens with fluorite elements and unique in offering shift and tilt in the same axis (with a little factory modification), this versatile lens has a mixed press with regard to optical quality: some love it, others are disappointed. Most samples seem to perform better than its woeful photodo rating suggests, but there's little doubt that it doesn't perform well at the edge of its image circle. Though direct comparisons are rare, the received wisdom is that the Olympus 24mm PC (if you can find one) justifies its extra cost. As with all 35mm tilt lenses, you may find that 8° just isn't enough. * Chromatic aberration, vignetting and resolution loss make movements +8mm shift unviable for critical work. This limits the practical FOV to nearer 18mm on full frame. |
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